This is a blog with the purpose of helping composers write for percussion. Opinions are my own, but I hope you find it helpful! Content will be updated as much as I can.

Want to request a post? E-mail me! I’ll do my best to get to it.


This page exists to provide information for anyone who seeks it, primarily those without access to institutional support.

Right now, I’m conducting a survey of what percussionists have access to in terms of instruments. If you’re a percussionist, I’d greatly appreciate you filling it out! If you aren’t a percussionist, I’d love for you to share it with somebody who is.




creating a miscellaneous legend

on drum set notation

on drum set notation part 2: expanding the kit

hammered dulcimer tuning (16-15)

notating rolls

using single line staffs

on stickings


Mallet Percussion:

on bowed crotales

on bowed marimba

on bowed vibraphone

changing intervals in one hand

on dead strokes

on lateral motion

mallet shaft collisions

pitch bending with a mallet

pitch bending with water

playing with mallet shafts

prepared vibraphone (or marimba): coins

prepared vibraphone: tin foil

on one handed rolls

stacking keyboards

understanding graduated bars

on vibraphone dampening

on vibraphone harmonics

on vibraphone motors



muting the drums

playing spots on timpani

on tuning pedals

specifying timpani mallets



accounting for stick changes

on bowed cymbal

double-sided dulcimer hammers

friction/super ball mallets

on rasping sticks

on snare throw-offs


Additional Resources

I started this blog after being inspired by the efforts of musicians such as Heather Roche, Anne Lanzilotti, and Andrew Hugill. If you’ve enjoyed this blog, definitely explore their work!

Also, I’m not by any means an expert engraver. If you can, I’d highly recommend purchasing Elaine Gould’s Behind Bars to get the best results on your editing adventures.